A couple weeks ago, the Interaction Design team at KTH had an internal exhibition of design projects. Due to the pandemic, whereby we primarily work from home, it has been difficult to engage with each other’s design work. Thus, this exhibition was a chance for us to get together (in line with safe distancing) to share our work! I presented a new side project within my PhD that I started while on maternity leave last year, which I call Free the Nipple. Below are some images of my exhibition space and a draft project description. You can find more of the project’s process (and other project work) on my public instagram account.
Last Wednesday I had my 50% PhD seminar! Sill processing the feedback from my opponent Lone Koefoed Hansen who Zoomed in from Aarhus University, but very thankful for an inspiring discussion.
A short overview of my research can be found here Careful Design: Implicit Interactions with Care, Taboo, and Humor. And an even shorter snapshot of 2.5 years in 16 seconds:
Having only recently returned to work full-time in March from ten months of parental leave, and despite working from home rather than in the lab due to COVID-19, it has felt wonderful to re-engage with my research with new energy and focus. Even more rewarding was to recently find out that my Doctoral Consortium proposal was accepted to DIS 2020. Very much looking forward to discussing my work with the Chairs and other participants – even if most likely virtual! Below is my title, abstract, and a link to the pre-print.
Very excited to have two papers accepted from an ongoing project on HCI and the outdoors with Airi Lampinen and Barry Brown from Stockholm University and Pedro Ferreira from IT-University of Copenhagen! Below are the abstracts, will post camera ready versions in the coming months. The first in particular and fieldwork that informed both are a precursor to upcoming design work that will ensue in the winter when I return from parental leave.
Away and (Dis)connection: Reconsidering the Use of Digital Technologies in Light of Long-term Outdoor Activities
Karey Helms, Pedro Ferreira, Barry Brown, Airi Lampinen. 2019. Away and (Dis)connection: Reconsidering the Use of Digital Technologies in Light of Long-term Outdoor Activities. ACM International Conference on Supporting Group Work (GROUP 2020), Sanibel Island, Florida, USA.
We present a study of long-term outdoor activities, based on altogether 34 interviews with 19 participants. Our goal was not only to explore these enjoyable experiences, but more broadly to examine how technology use was recontextualized ‘away’ from the everyday. Outdoor activities are commonly presented as an escape from our technology-infused world. In contrast, our interviews reveal experiences that are heavily dependent on technology, both digital and not. However, digital technology — and in particular the mobile phone — is reconfigured when taken out of its ordinary, often urban and indoor, context. We first present a diversity of ‘aways’ during outdoor activities by depicting cherished freedoms and interpersonal preferences. We then describe how participants managed connection and disconnection while away and upon coming back. To conclude, we discuss how constructions of away can support more purposeful engagements with digital technology, and how pointed (dis)connection can be useful for technology design also in non-outdoor settings.
From Nomadic Work to Nomadic Leisure Practice: A Study of Long-term Bike Touring
Pedro Ferreira, Airi Lampinen, Karey Helms, Barry Brown. 2019. From Nomadic Work to Nomadic Leisure Practice: A Study of Long-term Bike Touring. ACM Conference on Computer-Supported Cooperative Work and Social Computing (CSCW 2019), Austin, Texas, USA.
Mobility has long been a central concern in research within the Computer-Supported Cooperative Work (CSCW) community, particularly when it comes to work and how being on the move calls for reorganizing work practices. We expand this line of work with a focus on nomadic leisure practices. Based on interviews with eleven participants, we present a study that illuminates how digital technologies are used to shape and structure long-distance cycling. Our main analysis centers on bike touring as a nomadic leisure practice and on how it offers a radical departure from traditional modes of structuring work and life, and thus, complicates the relationship between work and leisure. We complement this with an account of managing the uncertainties of nomadicity by focusing on participants’ experiences with arranging overnighting and network hospitality. We offer this study, firstly, as one response to the call for more diversity in the empirical cases drawn upon in theorizing nomadic work and leisure practices, but more productively, as an opportunity to reflect upon the temporal and spatial logics of digital technologies and platforms and how they frame our attitudes towards the interplay between work and leisure.
Today my paper Do you have to pee? A Design Space for Intimate and Somatic Data will be presented at DIS 2019 in San Diego by a colleague from KTH as I am currently on parental leave with my four week old daughter. Would love to be at the conference presenting and discussing this work, but am more grateful for the conference’s flexibility and Vasiliki Tsaknaki’s assistance in the presentation of this paper while I am instead home in Sweden!
Since this research includes an autobiographic approach and a reflection on my positionality as a design researcher, both of which are critical to the work, the presentation I prepared included both video and audio recording of myself intermixed among a script for Vasiliki (which is why the script includes a mix of first and third person). It was definitely a new challenge rethinking how to make a presentation that included my own voice while using my colleague’s presence for audience engagement! Below is the full written script and slides, and the full paper (which won an honorable mention award!) is available here.
Couldn’t be more please to find out today that I have a full paper accepted to DIS 2019! Very thankful for my amazing colleagues who provided invaluable support for and feedback on the paper.
Below is the title and abstract, will post a camera ready version in the coming weeks.
Do you have to pee? A Design Space for Intimate and Somatic Data
The management of bodily excretion is an everyday biological function necessary for our physiological and psychological well-being. In this paper, I investigate interaction design opportunities for and implications of leveraging intimate and somatic data to manage urination. This is done by detailing a design space that includes (1) a critique of market exemplars, (2) three conceptual design provocations, and (3) autobiographical data-gathering and labeling from excretion routines. To conclude, considerations within the labeling of somatic data, the actuating of bodily experiences, and the scaling of intimate interactions are contributed for designers who develop data-driven technology for intimate and somatic settings.
Today was our department’s annual PhD Supervisory Panel at KTH during which PhD students are given the opportunity to get feedback from senior researchers who act as “guest supervisors.” To prepare for my meeting with two Associate Professors I reworked my research abstract and research questions following my 30% seminar in October, during which Johan Redström from Umeå Institute of Design acted as my discussant. My goals in today’s supervisory panel were to get feedback on the new scope of my abstract and research questions relative to being only about 40% through my PhD (and I’m sure will continue to evolve), and identify important areas that I need to work on articulating to more firmly position my research in the context of how I am conceptually “furnishing” my design space. Considering I was presenting to senior researchers from different academic backgrounds than my own and each other, it was especially helpful to see within which aspect I felt misunderstood, i.e. where I need to sharpen my arguments. Below my poster summarizing my research thus far, followed by a few notes/reflections based on feedback received today, and a textual version of my abstract and research questions.
Early this week I presented a paper written with my PhD supervisor Ylva Fernaeus on the use of Humor in Design Fiction to Suspend Disbelief and Belief at NordiCHI 2018 in Oslo. This paper was part of the future scenarios track at NordiCHI, an excellent initiative and venue that explores the design of design fictions. Our paper contributed (1) a way in which humor might be used in design fiction (and design more broadly), (2) a design process that includes fieldwork to inform the design of design fictions, (3) and a human-scale design fiction as a method of communication and dissemination. For the presentation, I originally intended to role-play the paper presentation as a character from the fictional world, as I did when presenting the same project four years ago in Umeå as my master’s thesis, but last minute opted to not because of the opening introductions by moderators. Instead, I opened the presentation by jumping into the fiction with no context, and then gradually introduced more information and built reflections throughout the remaining of the presentation. I think this structure worked very well. The full paper is available here and the presentation below.
Very excited to have a NordiCHI 2018 paper accepted in the future scenarios track! Written with Ylva Fernaues, my supervisor at KTH, the paper is about why and how I used humor in my MFA thesis at Umeå Institute of Design four years ago.
Karey Helms, Ylva Fernaeus. 2018. Humor in Design Fiction to Suspend Disbelief and Belief. ACM Nordic Conference on Human-Computer Interaction (NordiCHI 2018), Oslo, Norway.
Humor in Design Fiction to Suspend Disbelief and Belief
This paper investigates humor as a resource and strategy for design with discourse as an intended outcome. While humor can incite empathy and understanding, it can also lead to alienation and disengagement. Through the detailing of the pre-narrative and narrative processes of an exemplar design fiction we describe why and how elements of humor, in particular puns, parody, and pastiche, were employed. Following the presentation of the fiction and its use in the design of an exhibition and diegetic prototypes, the paper presents responses from participants and audience members to reflect upon how humor was received within the design fiction. Following these reflections, as the near-future scenario was written four years prior to this paper and is now situated within present-day, it then concludes with a post-mortem reflection on the floating nature of humor.
Two weeks ago I spent a week in northern Finland at Oulu University for a workshop (UBISS summer school) on Humanistic HCI, lead by Jeffrey and Shaowen Bardzell from Indiana University. The workshop was structure around a curated reading list that included a book on Humanistic HCI, and covered aesthetic experiences, emancipatory approaches, and critical-interpretative methodologies applied towards HCI. In addition to reading seminars, we also carried out small group projects during which we applied humanistic epistemologies to shared research domains. It was an incredible (and exhausting!) experience, both this particular workshop I participated in and the summer school as a whole!